1_MAIN_A family market on Vermont Avenue, L.A., 2004
I did not set out to document murals of Martin Luther King Jr. in American cities such as New York, Los Angeles, Chicago, and Detroit. I just happened to find one back in the 1970s and photograph it, then many others, until a national collection developed. His likeness welcomes shoppers on the facades of liquor stores, barbershops, and fast-food restaurants. He is represented as statesmanlike and heroic, proud and thoughtful, friendly and compassionate.

Las Palmas Discount Market, 5600 Broadway, L.A., 2010

Las Palmas Discount Market, 5600 Broadway, L.A., 2010

A mural of King in which he looks "Tolteca"

A mural of King in which he looks like a “Tolteca” Martin Luther King

Faith in Christ Ministries, 46th Street at S. Western Ave., L.A., 2010

Faith in Christ Ministries, 46th Street at S. Western Ave., L.A., 2010

The street portraits of King are made mostly by sign painters, almost never by trained artists. Street portraits of Dr. King don’t last forever. Murals get defaced, paint fades, businesses change hands, and neighborhood demographics shift.

King is typically depicted accompanied by great figures such as Malcolm X, Nelson Mandela, Harriet Tubman, and Rosa Parks (though in recent years I’ve been seeing less of Mandela and Malcolm X).

The Original Bill's Taco House, painted by Debbie Husband, 219 E. MLK Blvd., L.A., 2006, and later defaced

The Original Bill’s Taco House, painted by Debbie Husband, 219 E. MLK Blvd., L.A., 2006, and later defaced

Mural on E. 23rd St., L.A., and what it later became

Mural on E. 23rd St., L.A., and what it later became

The slain civil rights leader doesn’t just appear in historically African-American neighborhoods, but appears—reinterpreted—in others as well. I found a version of King in a mural remembering Vincent Chin, a Chinese-American autoworker who was the victim of a racially-motivated murder, in the ruins of Detroit’s former Chinatown. In Los Angeles, King is often depicted in the same style as other brown-skinned Mexicans in street murals by the self-taught sign painters. A friend upon seeing a photo of a mural remarked that he looked like a “Tolteca” Martin Luther King.

Meat market, 42nd Place at Vermont Ave., L.A., 2002

Meat market, 42nd Place at Vermont Ave., L.A., 2002

Mural of King, L.A., and later defaced

Mural of King, L.A., and later defaced

Images of King mushroomed on the walls of South Central Los Angeles after the 1992 race riots. In South L.A. in 2016, King is accompanied by Pancho Villa, Benito Juárez, Cesar Chavez, and the Virgin of Guadalupe; most popular since 2009 are portraits of him alongside President Obama. Following population changes, King murals have moved west, across the 110 and toward South Western Avenue. I’ve seen street images of King disappear as his likeness is substituted by the suffering Christ or by President Obama.

As we celebrate a national holiday honoring King, we can enjoy the dialogue he inspires showing how ordinary Angelenos—and other Americans—incorporate him into their culture.

Mural by Shyaan Khufu, Master Burger, 4423 S. Western Ave., L.A.

Mural by Shyaan Khufu, Master Burger, 4423 S. Western Ave., L.A.

Mural of King and Gandhi, L.A., and what it later became

Mural of King and Gandhi, L.A., and what it later became

Lupita Discount Store, Compton Ave. at 55th St., L.A.

Lupita Discount Store, Compton Ave. at 55th St., L.A.

 
Camilo José Vergara is a New York-based sociologist and photographer who photographs the same urban locations over time to document changing communities. His web site is Camilojosevergara.com.

He wrote this for Open Art, a partnership of the Getty and Zócalo Public Square.

 
*Photos by Camilo José Vergara.

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